Friday, December 28, 2012


There’s a sense of the freedom, intimacy and depth to the sound of London-based producer fLako’s latest EP Eclosure. That’s not in the way that an overload of ideas could become overwhelming but in that a tapestry of acoustic and electronic sounds can weave a cocoon of wellbeing around its listener. Released on fledgling East London label Five Easy Pieces just last month, four tracks offer space and escapism through the subtle textures you mightn’t expect to find from a resident of a city best known for its gloomy winters and dreary weather.

If nature could be expressed through electronics, then Eclosure is the closest you’re going to get to it. The cover art features a digitally altered image by friend and photographer Clemens Fantur; a central figure removed to reveal a silhouette into a parallel universe, a virtual ecological plane. Its an apt representation, not only of the very visual, physical drift of fLako’s sound but of the soulful and near-spiritual elements of melodic curiosity. A searching awareness pervades the guitar frolic of ‘Mating Dance’, where a vocal chorale, pipes and maraca samples evoke a borderless sonic geography informed by a boundless palate and unrestricted influences.

Perhaps it’s because of his own cultural diversity -as a Chilean-born, German-raised global resident, otherwise known as DarĂ­o Rojo Guerra- and the fact he’s been championed by artists the world over, from LA’s Gaslampkiller and Glasgow’s Hudson Mohawke. Or maybe it’s as a mere product of our global culture. Whatever it is, fLako creates an other-worldy escape from the urbanised surroundings of an overcrowded world. Found-sound samples are absorbed into a textured soundscape of bubbling signals, dissipating into skittering drum beats and unexpected drops, following in the wake of a typically spectral vocal delivery. Those vocals come as one of Guerra’s many pseudonyms, his easy-listening alter ego, Dirg Gerner, who also appears on 2011 fLako track ‘Lonely Town’. Over the exotic rhythms of hollow acoustics and marimbas, he croons, “Have you ever felt the urge to be someone else?” and by the end of Eclosure, it almost feels like

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